img(height="1" width="1" style="display:none" src="https://www.facebook.com/tr?id=2939831959404383&ev=PageView&noscript=1")

Going undercover

It’s not just the type of metal, but what goes underneath that matters. Simon Walker, SIG category manager for hard metals, on the dos and don’ts of specifying roofing and cladding

In association with
An example of natural zinc sheet roofing brings a crisp finish to roof detailing
An example of natural zinc sheet roofing brings a crisp finish to roof detailing

Decide on your aesthetic vision before choosing the metal

Rather than starting off with a specific material in mind to achieve a particular visual effect, specifiers should first consider broader issues such as life expectancy, buildability, patina, maintenance, and how much the client is prepared to pay to achieve the desired aesthetic. Only then should you seek advice on the right metals, finishes and sorts of installations that can meet the brief. 
 
Know your metal options

Generally, hard metals can offer a distinctive appearance and a long lifespan because as well as having a self protective patina they are low weight and 100% recyclable. Each commonly used roofing and cladding metal however has its particular pros and cons. Zinc, for example, is particularly suitable for marine environments, while stainless steel in the appropriate grade lasts longer. Copper, also excellent in marine environments, looks great but is considerably more expensive (see box).

As well as metal choice, the look of a roof or cladding depends on how it is laid and the type of joint used. If an architect wants something crisp and neat they might be drawn to the flat panels of an engineered facade for example, rather than the aesthetic offered by traditional methods (see box).

Get the build-up right

Whether you have a cold or a warm roof structure, the right build-up is essential. One of the biggest issues with zinc roofing is underside corrosion, which can occur if the wrong substrate or build-up has been installed, in particular the vapour control layer. Traditionally, a cold roof build-up with ventilated cavity below the substrate and ventilated eaves and ridge would allow moisture on the underside to be naturally vented out. This is the most common form of roof construction and has kept metal roofs condensation-free for generations. But architects increasingly want to see crisper roof detailing with thinner roof build-ups and so are using warm roof constructions with non-ventilated eaves and ridges. If this isn’t built properly it can lead to condensation. When used with a warm roof structure, zinc must have the right protective back coat for moisture control to protect against corrosion, as well as a breather membrane. Without them, it can corrode in as little as six months.

The roof aesthetic can also be expressed on the  building face, creating a monolithic homogeneity.
The roof aesthetic can also be expressed on the building face, creating a monolithic homogeneity.

Beware of breather membrane confusion

Confusion about the positioning and role of vapour control layer and breather membranes can cause major problems – I have even seen two breather membranes used instead of one of each. But architects can be supported by specialist knowledge: SIG provides an NBS specification, bespoke details and 3D build-up of the installation for the contractor so that everyone knows what is needed.

Choose your installer with care

This is a massive issue. There is no British Standard for the installation of zinc roofing, so it is crucial to use the right contractor. We advise architects to specify that their metal roof be installed by an accredited contractor such as a member of our DATAC scheme or a member of the Federation of Traditional Metal Roofing Contractors (FTMRC). SIG offers a UK-issued guarantee of up to 25 years for roofs installed by a DATAC zinc and copper accredited contractor, which is peace of mind for client and design team alike.

1

Choose your metal

Zinc: Excellent BREEAM credentials.  Zero maintenance with no painting required. Can last up to 60 years if installed correctly with the right build-up. Particularly suitable for marine environments. Generally available with a natural, pre-patinated or pigmented finish, or with roller applied textures.

Stainless steel: Has a longer life expectancy of up to 80 years at a comparable cost to zinc. It is extremely corrosion resistant and requires no maintenance. Various surface treatments are available although some finishes can ripple slightly, which can be a plus or a negative depending on the look desired.

Copper: Longest lasting with high aesthetic appeal. More expensive up front than other roofing and cladding metals, but its corrosion resistance and lack of maintenance requirement make it more effective than first appears. Widely available in natural, pre-oxidised or pre-weathered green and in bronze, gold and green tones.

Façades and joints

Standing seam: Either traditional or with a longitudinal joint. This gives a 90° instead of 180° fold to give a straighter seam with more uniform joint width.
Flat lock or shingle system: Hidden fixing makes this suitable for flat and curved facades. Can accommodate different geometric shapes. Usually used with a vented facade construction.

Transversal joint: Flat lock joint formed by making a 180° fold along each end of the trays to form a 5mm ‘jump’. Not as noticeable as the standing seam
Panel system: Suitable for flat or gently curved facades with hidden, usually direct, fixing and either transversal or longitudinal joint.

Engineered façade: Large format, individually demountable panels suitable for all wall constructions.


To find out more and download additional resources visit http://bit.ly/SIGRoofLines2


 

 

Latest

Anyone who considers the one-off house to be simply the indulgent end of design should think again – we round up some rich examples of sustainable, stylish and innovative properties

Experts showcase sustainable, stylish and innovative houses

Recognised as one of the giants of the design world,  Enzo Mari was also staunchly ethical, believing that design should serve people rather than profits. Pamela Buxton visits a retrospective of his work at London’s Design Museum

A retrospective of Italian designer Enzo Mari at the Design Museum demonstrates his commitment to empowering the user

First-of-its-kind MSc teaches skills in generative design and design optioneering, making new AI tools for architecture possible

Artificial intelligence joins the syllabus for engineering and design

War delayed John Dryburgh’s baths, designed with the reinforced concrete specialist Oscar Faber, for over 20 years, but they were worth the wait

Design was compared to London’s Royal Festival Hall

Interiors specification suggestions ranging from kitchen to bathroom, floor to ceiling

Comfortable, practical and stylish ideas for interiors specifiers