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Large curved opening distinguishes extension to listed Victorian house

Words:
Dominic McKenzie

Dominic McKenzie Architects’ Segmental House extension combines nods to Scandinavian modernism with references to the arches and Flemish bond of the existing building

Douglas fir plywood panelling reflects the client’s love of Scandinavian modernism.
Douglas fir plywood panelling reflects the client’s love of Scandinavian modernism. Credit: Will Pryce

Can you describe the project?

The project involved the sensitive renovation and extension of a Grade II listed 1850 house, part of a fine Victorian square in south London, for a private client.

The rear extension features a large curved opening and uses custom-made segmental bricks, which were designed by the practice and draw on arches in the original architecture. The bricks’ motif is playful and contemporary, yet uses the traditional Flemish bond visible on the existing house.

Were there any significant factors that influenced the design?

The house’s listed status affected the height of the rear extension and the levels of intervention throughout the project.

The main changes to the house were at lower ground floor, which was relatively plain in terms of existing architectural detail. Cellular rooms were interconnected and opened out to the garden through the new extension.

Generally, a lighter touch was employed for the upper floors, respecting and restoring the existing historic detail of the listed building.

The extension draws on the design of the house’s existing arches. Credit: Will Pryce
Bespoke bricks add material richness. Credit: Will Pryce

How did you treat the exterior?

The front of the house, which faces towards the formal square, features ornate stucco dressings but the five-storey rear elevation is plain red brick. The neighbour’s outrigger to the right also creates a tall enclosing wall in dark brick. We wanted to add a further extension which would work with this pared-back, brick context.

The combination of brick context and arched openings led to the idea of using a bespoke brick with an arched/ segment pattern to give the extension a subtle richness of detail.

How did you design the interior?

The clients had expressed their love of Scandinavian modernism, particularly its use of timber panelling. We paid close attention to Gunnar Asplund’s 1936 Gothenburg City Hall.

The house’s panelling is made of Douglas fir plywood arranged in two bands: a solid upper panel and a slatted dado layer. It is installed with incredible craft and attention to detail throughout the lower ground. Joints are perfectly chamfered and secret doors conceal a hidden pantry and a TV cupboard. A special arched opening at skirting level allows the owners’ cats to access their hidden food bowls, an echo of the primary arched glazing in the rear extension.

  • A cat door echoes the extension’s arched opening.
    A cat door echoes the extension’s arched opening. Credit: Will Pryce
  • Secret doors in the panelling conceal a pantry and TV cupboard.
    Secret doors in the panelling conceal a pantry and TV cupboard. Credit: Will Pryce
  • Cellular rooms have been opened up on the lower ground floor.
    Cellular rooms have been opened up on the lower ground floor. Credit: Will Pryce
  • The large circular rooflight provides views of garden trees.
    The large circular rooflight provides views of garden trees. Credit: Will Pryce
  • Custom-made bricks have been laid in the traditional Flemish bond.
    Custom-made bricks have been laid in the traditional Flemish bond. Credit: Will Pryce
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What was your approach to sustainability?

The existing house is listed and is located in a conservation area. Consequently, a key requirement was to retain as much of the existing historic fabric as possible: single-glazed timber sash windows, cornices, skirtings, architraves, joists and floorboards etc. In addition to protecting the house’s heritage status, this factor helped to reduce the amount of carbon produced by the works. At the same time, it precluded the possibility of an air-source heat pump and internal wall insulation, which we would normally use.

What was the project’s main challenge?

The main challenge was adding to the listed building in a way that balances a contemporary approach with the historic setting. Our design is sensitive to the context but also playful and inventive.

  • Historic details were carefully respected and restored on the upper levels.
    Historic details were carefully respected and restored on the upper levels. Credit: Will Pryce
  • The front facade features ornate stucco dressings.
    The front facade features ornate stucco dressings. Credit: Will Pryce
  • A contemporary and playful approach animates historic interiors.
    A contemporary and playful approach animates historic interiors. Credit: Will Pryce
  • The house is part of a Victorian square in south London.
    The house is part of a Victorian square in south London. Credit: Will Pryce
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What is your favourite moment in the project?

There are various moments. The bespoke brickwork of the rear extension adds a large amount, especially when compared with rectangular stock brick. The Douglas fir panelling gives the lower ground floor interior a special feeling of quality. The circular rooflight in the lower ground garden room works very well, framing a view of the tall existing London plane tree in the rear garden. And the cat door, echoing the garden room opening, is a nicely witty moment.

Are there lessons from this project that might be applied elsewhere?

The use of bespoke bricks to add architectural richness and material quality is certainly something we will continue to explore. It’s something that was done a great deal in Victorian architecture but fell out of fashion with the rise of modernism. We think it’s time to bring it back.

Dominic McKenzie is founder of Dominic McKenzie Architects

Discover more house extensions and renovations 


Key data:

Total contract cost Private
Area of extension 15m2 
GIFA cost per m2 £3,508 (overall project)

 

Credits

Client Private
Contractors IC&T Projects, HCL Landscapes
Structual Engineer Longdin Engineering
Lighting Graham Festenstein Lighting Design
Garden Charlotte Rowe Garden Design

Suppliers

Bespoke bricks WH Collier
Glazing Monk Metal
Rooflight Roofglaze
Terrazzo floor Inopera 
Kitchen counter Diespeker 
Wall lights Spark & Bell

 

Lower ground floor plan.
Lower ground floor plan. Credit: Dominic McKenzie Architects
Upper ground floor plan.
Upper ground floor plan. Credit: Dominic McKenzie Architects
Section AA.
Section AA. Credit: Dominic McKenzie Architects

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