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Words:
Pamela Buxton

Louis Kahn may not have built much, but a Design Museum exhibition shows how his legacy has proved vastly influential

Franklin D. Roosevelt Four Freedoms Park, New York, 1973-2012.
Franklin D. Roosevelt Four Freedoms Park, New York, 1973-2012. Credit: Paul Warchol

Louis Kahn built little, was practically bankrupt when he died 40 years ago, and had a hugely complex personal life, explored in his son Nathaniels’s poignant film My Architect in 2003.

A new retrospective, Louis Kahn: The Power of Architecture, which opens this month at the Design Museum, rightly puts his work back centre stage, celebrating Kahn as a visionary architect who was hugely influential on many of today’s leading practitioners.

When so much architecture lacks a sense of time and location, it’s a good moment to reassess Kahn’s work and legacy, according to Design Museum curator Alex Newson.

‘His buildings did have a sense of place that many of his contemporaries didn’t,’ he says. ‘It’s a good opportunity to look at why his work is so revered in architectural circles.

  • National Assembly Building, Dhaka, Bangladesh, 1962-83
    National Assembly Building, Dhaka, Bangladesh, 1962-83 Credit: Raymond Meier
  • Medical Research and Biology Building, Philadelphia, Pennsylvania, 1957-65, University of Pennsylvania.
    Medical Research and Biology Building, Philadelphia, Pennsylvania, 1957-65, University of Pennsylvania. Credit: Malcolm Smith
  • Library, Phillips Exeter Academy, Exeter, New Hampshire, Louis Kahn, 1965-72
    Library, Phillips Exeter Academy, Exeter, New Hampshire, Louis Kahn, 1965-72 Credit: Iwan Baan
  • General Motors Pavilion, world exhibition 1964, New York (not realised). Architectural Archives of the University of Pennsylvania, Philadelphia.
    General Motors Pavilion, world exhibition 1964, New York (not realised). Architectural Archives of the University of Pennsylvania, Philadelphia.
  • Colonnade on the north side, Kimbell Art Museum, Fort Worth, Texas, 1966-72  Kimbell Art Museum
    Colonnade on the north side, Kimbell Art Museum, Fort Worth, Texas, 1966-72 Kimbell Art Museum Credit: Robert LaPrelle
  • Yale University Art Gallery, New Haven, Connecticut, Louis Kahn, 1951-53  Architectural Archives of the University of Pennsylvania.
    Yale University Art Gallery, New Haven, Connecticut, Louis Kahn, 1951-53 Architectural Archives of the University of Pennsylvania. Credit: Lionel Freedman
  • Salk Institute, La Jolla, California, 1959-65. Architectural Archives University of Pennsylvania.
    Salk Institute, La Jolla, California, 1959-65. Architectural Archives University of Pennsylvania. Credit: John Nicolais
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Although he didn’t build that much, what he did realise was of lasting importance, including The Salk Institute in California; the Kimbell Art Museum in Fort Worth, Texas; and the National Assembly in Dhaka, Bangladesh. This Vitra Design Museum-organised show looks at these and his entire oeuvre through the themes of City, Science, Landscape, House, Eternal Present and Community. The latter includes the Roosevelt Memorial, designed shortly before his death but completed just two years ago in New York. All his children have contributed to the exhibition material, and there will be footage of interviews with contemporary luminaries including Frank Gehry, Peter Zumthor and Renzo Piano, giving further insight into why Kahn’s legacy lives on.

“There is an intensity to his work, spiritually and monumentally,” says Newson, adding that the show does also reflect the sense of regret and frustration that Kahn experienced during much of his career.

For Newson, one of the most powerful parts of the show is not the exquisite models and drawings, but the briefcase, passport and box of pastels that were with Kahn when he was found dead of a heart attack at New York’s Penn Station on the way back from a work trip to India. 

Louis Kahn: The Power of Architecture
Until 12 October
Design Museum, Shad Thames, London SE1 2YD