img(height="1" width="1" style="display:none" src="https://www.facebook.com/tr?id=2939831959404383&ev=PageView&noscript=1")

Q&A: Louise Ward

Words:
Jan-Carlos Kucharek

The British Safety Council, which turns 60 next year, has been involved in some of the major groundshifts in worker safety, including the 1974 Health and Safety at Work Act. But policy and standards director Louise Ward tells us there’s still a way to go

The British Safety Council was founded by James Tye – what was his story?

He was a larger than life marketeer who in the 1950s was struck by the fact that 1000 people a year were killed at work; that people were turning up at workplaces worried that they might be injured there. He founded the British Safety Council to put an end to it. He contributed to the Health & Safety at Work Act, and pushed for seatbelts and even for safer sex. We are not a regulatory body, but a facilitate collaboration and engagement in all aspects of worker and consumer safety.

And how has your involvement been in construction?

We engage with them and have been aware for a while that it’s very commercially competitive: it can be hard for parties to share information on safety initiatives. That’s not just due to its macho culture; it’s because it’s very devolved too. Main contractors deal with large numbers of sub-contractors and suppliers, so it can be hard to communicate safety information. The core leadership has to be strong or the message can get lost.

Hasn’t your role been eclipsed by the Health and Safety Executive?

Well, that’s a regulatory, policing role; whereas we do information, advice and facilitating. We’ve always worked in partnership with the HSE, certainly when consulting on policy issues and formatting legislation, but we’re independent so can disagree with it. James Tye was often at odds with the old Factory Inspectorate.

How do you think construction industry has changed since you were founded?

The main leaps have been technological. Previously, all work was manual, but automation has changed the way people interact with tasks; pre-fabrication has in some ways just changed the places where safety issues need to be considered. It was a genuine concern 60 years ago that workers could get hurt on site; that’s far less true now due to cultural changes. The act of putting on PPE is not a mindless chore but part of a bigger thought process: ‘I’m now on site. I’m entering a dangerous place.’ It’s a sumptuary expression of a new frame of mind.

And how do you see the future of safety in the UK panning out?

We’re marking the year with events to raise awareness. We’re holding a short film competition for teenagers on the open theme of ‘risk’ to get a handle on what the young generation view as significant risks in their own lives. We also have futurologists looking at the improvements and threats to our lifestyles in 60 years’ time. There’s a way to go – last year 144 people were killed in the workplace – but even one person is unacceptable. We won’t be happy until it’s none.


 

Latest

The debut project by craft-led architect Grafted celebrates the original detailing of a house in Norwich’s Golden Triangle through concrete panels which the practice cast itself

Grafted’s debut project celebrates the original detailing of a house in Norwich’s Golden Triangle

Building-scale installation validates use of reclaimed timber for structural glulam and cross-laminated timber frame construction

Building-scale installation from waste points way to circular economy

Rescue and restore a William Adam-designed villa, create an outdoor installation ‘filled with play, wonder and delight’, imagine a multifunctional exclusive/inclusive complex that serves client and community - some of the latest architecture contracts and competitions from across the industry

Latest: Bid for phase 1 rescue of Scotland’s first Palladian country house

A journey to Turkey for a summer wedding prompts the Purcell architect to consider aspects of place and time

Joining the dots to make sense of disruption

Emulating the patterns of natural light and our deeply embedded responses to it are central to lighting design, said experts at the RIBAJ/Occhio lighting event

Light and atmosphere are the key to making a magical place