img(height="1" width="1" style="display:none" src="https://www.facebook.com/tr?id=2939831959404383&ev=PageView&noscript=1")

Artificial sky sheds true light on design models

Words:
Stephen Cousins

Geodesic dome shows Bartlett students their models in different daylight conditions

A super-realistic artificial sky is being used by architecture students at The Bartlett to simulate the effects of various daylight conditions on concept models.

The 5.2m diameter geodesic hemispherical dome was custom developed by Peter Raynham of University College London (UCL) in collaboration with a research assistant. It is installed at the university’s state-of-the art new facility at Here East at Queen Elizabeth Olympic Park.

The curved interior features 810 individually-controllable LED modules and an 850mm-wide parabolic reflector that’s able to traverse the dome on a track to mimic the sun’s trajectory.

This combination enables the diffuse (sky) and direct (sun) components of the lit environment to be modelled with high accuracy and simultaneously in any geographical location, at any time of the day or year.

Raynham, who is professor of the lit environment at UCL Bartlett, told RIBAJ: ‘It is about as accurate as you can in get terms of the amount of light falling onto a given surface of a concept model, and a good approximation of actual daylight. The only drawback is that light is more patchy than genuine daylight.’

The dome is an upgrade of an original structure designed and built by Raynham around 20 years ago when he was a researcher at UCL. ‘I was given the equivalent of a sketch on the back of a beer mat and a budget and told to get on with it,’ he jokes. It roughly trebles the number of light sources compared to the original, which featured 270 compact fluorescent luminaires, and quadruples the amount of available light.

Sophisticated software can map and predict the intensity of the sky being simulated and uses a wireless bluetooth connection to instruct each LED what level of light to emit. The dome can be programmed to simulate light at different times of day, or reproduce the cycle for an entire day over one hour, or in incremental 30 minute stages.

The system is being used mostly by lighting and architecture students to quickly test the impact of daylight on conceptual design models.

‘It provides much more hands-on interaction than a 3D model in CAD. For example, placing a hand over a window you immediately see the impact on the interiors and can modify the design in response,’ Raynham concludes.

Latest

The debut project by craft-led architect Grafted celebrates the original detailing of a house in Norwich’s Golden Triangle through concrete panels which the practice cast itself

Grafted’s debut project celebrates the original detailing of a house in Norwich’s Golden Triangle

Building-scale installation validates use of reclaimed timber for structural glulam and cross-laminated timber frame construction

Building-scale installation from waste points way to circular economy

Rescue and restore a William Adam-designed villa, create an outdoor installation ‘filled with play, wonder and delight’, imagine a multifunctional exclusive/inclusive complex that serves client and community - some of the latest architecture contracts and competitions from across the industry

Latest: Bid for phase 1 rescue of Scotland’s first Palladian country house

A journey to Turkey for a summer wedding prompts the Purcell architect to consider aspects of place and time

Joining the dots to make sense of disruption

Emulating the patterns of natural light and our deeply embedded responses to it are central to lighting design, said experts at the RIBAJ/Occhio lighting event

Light and atmosphere are the key to making a magical place