img(height="1" width="1" style="display:none" src="https://www.facebook.com/tr?id=2939831959404383&ev=PageView&noscript=1")

Gangnam style

Words:
Jan-Carlos Kucharek

Whole facades become media screens

Yes, it’s not just a digital billboard, Jim, it’s a G-Glass clear glass media screen, meaning that whole building facades can effectively be turned into a colour TV – whether it’s glazing or spandrel panel. The construction grade, LED-impregnated laminated glass technology is by G-SMATT Global of South Korea, which developed the active glass in partnership with German sealant company Kommerling. The secret behind the project is apparently ‘stripping a metalised coating to facilitate the correct mapping that co-ordinates and synchronises the power and programmes’. In development for two years, the system has been installed at the Shanghai Stock Exchange and is styling out the Gangnam Financial Centre in Seoul.


 

Latest

Scotland’s New Build Heat Standard sets the pace for zero carbon heating adoption in the UK, but what does it mean for designers and will plans for dedicated Passivhaus legislation leave the rest of us playing catch up? Stephen Cousins reports

What does Scotland’s New Build Heat Standard mean for designers and the rest of the UK?

Penn Y Common and the CAT WISE building are among Royal Society of Architects in Wales president Dan Benham’s top five Welsh buildings, which demonstrate the essential ingredients of social impact, sustainability, regeneration and home

Royal Society of Architects in Wales president on his five favourite buildings in Wales

Unknown Works’ Energy Revolution Gallery for the Science Museum encapsulates the subject matter employing low carbon construction and both reused and reusable materials

Sustainable design and build matches gallery’s energy message

Housing need and public amenities drove AHMM’s design of Magna Square in Egham, a high-density but contextual development in a conservation zone

AHMM’s Magna Square boosts housing and public amenities

The founder of Pierre d'Avoine Architects looks back on the satisfactions and frustrations of 50 years in practice and explains why two of the projects he is most proud of were never built

The architect looks back on the satisfactions and frustrations of 50 years in practice