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Seven circular buildings

Adam Nathaniel Furman

A most primary form that continuously lends itself to a range of unexpected uses – from the headquarters of the UK’s intelligence and cryptography agency to the national parliament of India – the circular building has drawn architects for millennia to the charm of its simultaneously abstract and impressive purity.

Bramante's Tempietto, Rome.
Bramante's Tempietto, Rome.

Bramante’s Tempietto, Rome 1502 

Donato Bramante

A gem of the early Renaissance, Bramante’s tiny, hermetic tempietto embodies the harmony of proportions emanating from the human body, which identified the rediscovery of antiquity by Italian architects of the period.


Hakka walled village, Zhenchenglou.
Hakka walled village, Zhenchenglou. Credit: Mike Culpepper

Hakka walled villages, China, 18th century                                   

Hakka peoples

Originally arising out of the need to draw together for protection, Hakka villages totally blur the distinction between architecture and the urban, turning entire communities into single households through the unity of their forms.


Radcliffe Camera, Oxford.
Radcliffe Camera, Oxford. Credit: Photo by David Iliff. License: CC-BY-SA 3.0"

Radcliffe Camera, Oxford, 1749                                            

James Gibbs

This should probably be paired with Hawksmoor’s almost contemporary Mausoleum at Castle Howard, but Gibbs’ home for the Radcliffe Science Library is, I believe, Britain’s most plastic and sculptural baroque building. Its circular form is masterfully organised into a dynamically layered composite of classical elements to rival anything in Italy.


Parliament of India.
Parliament of India.

Parliament of India, New Delhi, 1927                                   

Edwin Lutyens and Herbert Baker

This formally taut complex, 170m in diameter, houses parliamentary offices in a ring surrounding the upper house, lower house and parliamentary library hall. Designed and built by the British, it has been successfully appropriated since independence to both absorb, and come to represent, all the complexities and travails of the world’s most wildly diverse democracy with its 815 million voters.


GCHQ doughnut.
GCHQ doughnut.

GCHQ (the Doughnut), Gloucestershire, 2003                          


It was a toss-up between this and the Circus in Bath, but GCHQ is so emblematic of the inward looking, enclosed, but all-seeing eye at the heart of our surveillance state that it had to win. At a cost of £330 million, it sits in the heart of the Gloucestershire countryside, employing 6,100 people in secret intelligence operations including the most sophisticated communications monitoring system outside of the USA.

Large Hadron Collider.
Large Hadron Collider.

CERN Large Hadron Collider, France and Switzerland, 1998-2008                          


Home of the discovery of the Higgs Boson (‘the God particle’) in 2013, the Large Hadron Collider runs in a 27km circumference tunnel 170m below the surface of France and Switzerland. Opposing particle beams speed in opposite directions along its length, and collide in precisely controlled and measured events in order to test postulations of particle and high-energy physics.


21st Century Museum of Contemporary Art, Kanazawa.
21st Century Museum of Contemporary Art, Kanazawa. Credit: Open Image Data of Kanazawa City via Wikipedia

21st Century Museum of Contemporary Art, Kanazawa, Japan, 2005        


The circle here is an arbitrary container; a mark on the ground between inside and outside, which implies the potentially infinite extension of what is contained within. Intended to have no front or back, and to be as edgeless and featureless as possible in order that it blend with and reflect the park in which it sits, we end with this museum as the point at which architecture co-opts the circle in order to make itself disappear.