img(height="1" width="1" style="display:none" src="https://www.facebook.com/tr?id=2939831959404383&ev=PageView&noscript=1")

Expanded paint range offers versatile decorating solutions

With more colours and a reformulation, interior designers now have even more ways to mix and match bold shades and graduated neutrals across a room

In association with
Paint & Paper Library now offers 85 Original Colours, including five bright whites, and 95 Architectural Colours in five numbered gradations of tone. Hallway wall painted in Brimstone; living room wall and door in Salt III; ceiling and coving in Clean White 101.
Paint & Paper Library now offers 85 Original Colours, including five bright whites, and 95 Architectural Colours in five numbered gradations of tone. Hallway wall painted in Brimstone; living room wall and door in Salt III; ceiling and coving in Clean White 101.

Paint & Paper Library is adding new colours and reformulated, water-based finishes to its colour card in a bid to transform how interior designers decorate. 

Launching later this month, the updated collection will feature nine new additions to the Original Colours range, three new Architectural families of colour and eight shades revived from the Paint & Paper Library archive.

Original Colours and Architectural Colours offer architects a palette of bold tones and graduated neutrals that can be combined to create interiors in a range of styles.

More Original Colours

Original Colours provide a colour for every personality, adding strength and character to any space. The new 2022 shades are:

  • Nori Blackened teal.
  • Soumak Middle-eastern red.
  • Iguana Chameleonesque Cayman blue.
  • Mchanga Red-earth shade found in the river sands of Tanzania.
  • Brimstone Contemporary mid-strength yellow.
  • Ruse Sophisticated diluted rose.
  • Mockingbird Fabulous, profound soft blue.
  • Fynbos Impactful green, muted with black.
  • Sencha Distinctive, elegant green.

These striking new colours can stand alone to deliver bold, impactful interiors or work in combination to create contrasting, contemporary schemes.

More Architectural Colours 
This sophisticated, colour-by-number palette offers varying strengths of the same pigment arranged chromatically in groups of five, numbered I, II, III, IV and V, for easy harmonious decorating.

The new colour card will feature three additional families of Architectural Colours:

  • Powder Delicate shade with discreet pink undertones.
  • Cashmere Ultimate neutral for gentle, alluring warmth.
  • Sprig Gentle, versatile green. Its neutral make up means it can be used all over.
  • Bedroom walls and woodwork painted in Sencha; frieze and cornice in Pollen II, Paint & Paper Library.
    Bedroom walls and woodwork painted in Sencha; frieze and cornice in Pollen II, Paint & Paper Library.
  • Kitchen walls and window painted in Mink; units in Scarlet ‘n’ Rust; coving and ceiling in Clean White 101, Paint & Paper Library.
    Kitchen walls and window painted in Mink; units in Scarlet ‘n’ Rust; coving and ceiling in Clean White 101, Paint & Paper Library.
  • Living room walls and window painted in Iguana; ceiling and cornice in Cotton II, Paint & Paper Library.
    Living room walls and window painted in Iguana; ceiling and cornice in Cotton II, Paint & Paper Library.
  • Living room walls and woodwork painted in Sprig III and Sprig I; ceiling and coving in Sprig IV, Paint & Paper Library.
    Living room walls and woodwork painted in Sprig III and Sprig I; ceiling and coving in Sprig IV, Paint & Paper Library.
  • Boot room wall and bench painted in Caravan, Paint & Paper Library.
    Boot room wall and bench painted in Caravan, Paint & Paper Library.
12345

Revisiting the Paint & Paper Library archive

Eight colours, including rich pinks, deep oranges, charismatic greens and blues, have been revived from the Paint & Paper Library archive:

  • Caravan.
  • Kasbah.
  • Jaipur Pink.
  • Roben’s Honour.
  • Scarlet ‘n’ Rust.
  • Pollen II.
  • Mink.
  • The Long Room.

Architects' finishes reformulated

The company has also improved its water-based Architects’ finishes, introducing cutting-edge, self-priming and multi-surface adhesion formulations.

A single tin of paint can now be used to paint walls, ceilings, woodwork and more, offering the opportunity to embrace colour across every surface.

'Architects’ Matt Emulsion can be used across walls, woodwork, radiators and tiles,' says Andy Greenall, head of design at Paint & Paper Library. 'The finish is as effective and hardwearing on woodwork as a conventional, higher sheen paint.'

The range of finishes - from chalky Pure Flat Emulsion to higher sheen Architects’ Satinwood and the new Architects’ Gloss - gives designers the chance to experiment with sheen levels and their effect on colour.

The new Paint & Paper Library colour card will be available from 12 September 2022. 

Pre-order the new colour card now at paintandpaperlibrary.com/preorder-colourcard. From 12 September 2022 onwards, order the colour card at paintandpaperlibrary.com/colourcards

For more information and inspiration, visit paintandpaperlibrary.com

 

Contact:

0845 880 5844

mail@paintandpaperlibrary.com


 

Latest

The debut project by craft-led architect Grafted celebrates the original detailing of a house in Norwich’s Golden Triangle through concrete panels which the practice cast itself

Grafted’s debut project celebrates the original detailing of a house in Norwich’s Golden Triangle

Building-scale installation validates use of reclaimed timber for structural glulam and cross-laminated timber frame construction

Building-scale installation from waste points way to circular economy

Rescue and restore a William Adam-designed villa, create an outdoor installation ‘filled with play, wonder and delight’, imagine a multifunctional exclusive/inclusive complex that serves client and community - some of the latest architecture contracts and competitions from across the industry

Latest: Bid for phase 1 rescue of Scotland’s first Palladian country house

A journey to Turkey for a summer wedding prompts the Purcell architect to consider aspects of place and time

Joining the dots to make sense of disruption

Emulating the patterns of natural light and our deeply embedded responses to it are central to lighting design, said experts at the RIBAJ/Occhio lighting event

Light and atmosphere are the key to making a magical place